Tonight I snuck out for a cigarette after the city was quiet. I love cities at night, being a former New Yorker, where we never sleep. Edinburgh sleeps, softly. And in my view, cobblestones reflected moonlight and lamps, silvered and shimmered. The soft play of light and shadow on the stone of buildings, of marble and rock, entranced me.
I could see the line where the road construction crew had carefully hewn out the stones with a micro-bulldozer (built on a trail gator frame, I think; it alone was something to see). The crew carefully removed the old cobblestones and stacked them in order along the trench where they installed new fiber optic cable in bright purple pipe. And after the new had come, the internet speed for the neighborhood increased, the workers replaced the stones. They are in just the same order as before, with new mortar in between.
These cobblestones stand out in the moonlight, a bright line across the street because the new mortar hasn’t yet accumulated its patina of city grit. I want to be like those cobblestones, blending the new and keeping the best of the old as I grow.
Sobriety feels like that sometimes. A struggle, with bulldozers digging up layers of Self, uncovering ages old mess and restructuring it, making it better. I’m still me—just like the beautiful moonlit street—but better.
The story is written on my heart and in the soft lines on my face. I endured. I had help. I got better.
Hope. Hope and moonlight dance on the medieval stones, still set in the road. With shiny new fiber optic cable beneath.